Showing posts with label bassrefinish. Show all posts
Showing posts with label bassrefinish. Show all posts

Friday, January 15, 2021

Vintage Aria 1820 Restoration: Part Four

Quick Links:    Part One | Part Two | Part Three | Part Four

This is the fourth and final post on a vintage Aria 1820 short-scale bass restoration job. The bass has been refinished in Flat Black, rewired, reassembled, set up with Ernie Ball 2852 Short Scale Regular Slinkys; and tested with the help of my trusty Laney RB2 bass amp [Gain: 3, Volume: 5, Bass/Mid/Treble: Flat, Compression: On]. 

Both pickups are working, but their output is definitely much lower than typical modern-day bass pickups. One other thing I've noticed is that the amplified volume of the A string is considerably weaker than that of the G, D and E strings. Tell you what. I've uploaded an audio file to SoundCloud, so do give it a listen :)





























Saturday, November 28, 2020

Custom Explorer Bass Makeover | Part Five

Part One | Part Two | Part Three | Part Four | Part Five

Welcome to the fifth and final post on a custom Explorer-style five-string bass makeover. The refinish is finally complete and shielding has been taken care of. It's now time to install the electronics and hardware, reassemble the beast, string her up; and see what she sounds like.

DCR readings for the seemingly-identical humbuckers are 16.21K and 17.94K. I've put the one with the higher DCR in the bridge position. The electronics comprise three Alpha A500K pots (Volume/Volume/Tone), a 0.033uF tone cap; and Neutrik/Rean NYS229 output jack. This custom bass is tuned A E A D F# (low to high).

To listen to what this Explorer-style bass sounds like straight into a Laney RB2 with the EQ flat, check out this SoundCloud audio file. I'm only playing on the E, A and D strings as I'm all at sea where the low A and high F# are concerned ;)

Although it has taken me nearly eight months to complete this makeover; it's been time well spent and a valuable learning experience. Thank you for supporting me thus far, and I hope you'll visit from time to time to check on what I've been up to. As always, stay home, stay safe; and God bless.



 









 

Sunday, August 30, 2020

Custom Explorer Bass Makeover | Part Four

Part One | Part Two | Part Three | Part Four | Part Five

This is the fourth instalment of an ongoing series concerning a makeover on a custom Explorer-style five-string bass. After final-sanding the body with 220-grit sandpaper, Elmer's Carpenter's Wood Filler tinted with StewMac Red Mahogany ColorTone Liquid Stain (#5032) was applied liberally and left to dry overnight.

After sanding off the Red Mahogany grain filler, a second round of filler was applied, this time tinted with Dark Walnut (#5104). This was once again sanded off after overnight drying. As the grain still was not as dark as I wanted it to be, the wood was stained with Sumi black ink. After sanding off the ink, the grain was about as dark as it would ever be.

So now it finally time to stain the body with Cherry Red (#5038). Yes, I was rather pleased with the results. However, I noticed that the headstock face was a couple shades lighter than the body. This being the case, I had no choice but sand off the Tru-Oil applied earlier and restain the headstock face.

Having taken care of the grain-filling and staining, I could now apply conductive shielding paint to the pickup and control cavities. The next step should be applying a clear matte finish to the the body and headstock face. Thank you for dropping by. Do stay tuned for future updates on this Custom Explorer Bass Makeover. Stay home, stay safe; and I'll see you real soon :)













Sunday, August 02, 2020

Custom Explorer Bass Makeover | Part Two

Part One | Part Two | Part Three | Part Four | Part Five

In Part 1 of this series, it was detailed how successive layers of gold flake, black paint, wood etchings, filler and goo were painstakingly scraped and sanded off until bare wood was finally revealed. In this episode, we pick up where we left off.

To begin with, grain filling was done on the back of the neck and headstock, as well as the headstock face; with  Elmer's Carpenter's Natural Wood Filler. Once excess filler had been sanded off, staining was effected using StewMac ColorTone Liquid Stains thinned with alcohol. Vintage Amber (#5030) was used for the back of the neck and headstock; and Cherry Red (#5038) for the headstock face.

Following this, these surfaces were refinished in Tru-Oil. Kindly note that I'll not be doing any refinishing work on the body until I've sealed existing screw holes and drilled new ones for the replacement bridge. Believe me, it's way safer to do any drilling before refinishing -- don't ask me how I know.

Next came taking accurate measurements before marking the all-important center and 34" lines prior to the installation of the new bridge. Once this was taken care of, the neck was reattached to the body; and the new bridge temporarily secured in the correct location. Then, two strings were utilized to check for proper side-to-side alignment. Guess what? The G and B strings were falling right off the edges of the fretboard! This meant that the new bridge could not be used as the G-B string spread was just too wide for the neck.

After some more measuring, it was determined that the G-B string spread of the original bridge was 6.8 cm; while that of the new bridge was a whopping 7.5 cm. Bottom line: the new bridge had to be put aside and the original reinstalled; no questions asked. I also suspect that the original bridge itself had not been installed correctly right from the start. The first issue was that it was not centered correctly. The second was that when aligned with the 34" mark, the G-string saddle was only about halfway forward.

When determining proper bass bridge location, I first make sure the bridge is "centered." Then, I adjust the G-string saddle to its forward-most position; and pull back about 1/16" to allow for some leeway. Next, I position the bridge so that the "break point" (the point where the string passes over the saddle) of the G-string saddle is aligned with the 34" mark. If this all sounds a little complicated, do check out these two excellent online resources:

Bridge Placement (scroll down to the post by "Rodent")

Electric Guitar and Bass Assembly Guide (scroll down to "Locating the bridge")

Going back to the drawing board, I've centered the original bridge, pulled it back so that the break point of the G-string saddle aligns with the 34" mark; and marked the new positions for the bridge mounting screws. The next step will be actually drilling these new holes, reinstalling the bridge; and checking once again if the strings are aligned correctly. Do check for further updates on this Custom Explorer Bass Makeover; and thanks for dropping by :)

















Wednesday, July 08, 2020

Custom Explorer Bass Makeover | Part One


This is a no-name Explorer-style bass with a solid wood body and rosewood fretboard. It was totally covered in some kind of gold flake when I first got it. Yes, shame on me for forgetting to take a pic of that. Anyway, my job was to strip the body and neck down to bare wood and refinish it so that the grain would be visible. I used a heat gun and scraper to remove the gold flake from the body, neck, and headstock; that created a gooey mess that stuck to everything.

Once I'd gotten rid of that layer; I was in for a surprise. Underneath was a hidden background of black. There were also intricate patterns etched into the wood surrounding the pickups, highlighted by some kind of pale filler. Similar etchings covered the upper perimeter of the body, perhaps in an attempt to simulate binding. All these had to go, of course. After hours of sanding, I managed to reduce everything to bare wood. Following this, a control cavity plate was fashioned from black pickguard material. Well, that's about it for this post :)











Wednesday, June 24, 2020

BC Rich Revenge Bass Refinish and Electronics Upgrade

The owner of this BC Rich Revenge Bass decided he didn't like the look of the gloss black body finish any longer. Instead, he wanted the front of the body refinished in matte black; while the back and sides remained untouched. As the body was bound, there was a fair deal of binding scraping to be done right at the end of the refinishing process. He also wanted an electronics upgrade. Out went the stock crappy mini-pots and cheapo jack; to be replaced by Alpha A500Ks and a Neutrik/Rean NYS229. And, as shielding paint had already been applied at the factory, all I needed to do was add a grounding tab to the control cavity wall.