This is the third and final instalment concerning a restoration job carried out on a lovely Greco EG550B. I'm thankful to report that this guitar now plays and sounds as good as it should. Now, let's get down to the nitty-gritty.
I'll start with the electronics, then. Everything was replaced, period. Among the upgrades were Alpha A500K Long Shaft pots, K40Y-9 0.015uf and K73-16 0.022uf tone pots; plus a Neutrik/Rean NYS229 jack socket. Wiring-wise, the original pickup leads were retained, while the rest was replaced with Gavitt Vintage Stranded Core Push-back Wire and Alpha RG174 Coaxial Cable (longer runs).
Next, hardware. Let's see now. The bridge and tailpiece were replaced, as were all pickup screws and springs. I managed to find a suitable replacement neck pickup ring, and added a new Gibson PRPG-020 Les Paul Custom Pickguard. Making the Gibson pickguard fit properly was a real challenge; as there was a lot of filing and sanding involved. Last but not least, the cracked output jack plate was replaced with a shiny new StewMac Plastic Jack Plate for Gibson® Les Paul® (the real deal, folks).
After the fretboard and frets were reconditioned, this Greco EG550B was strung with Ernie Ball Super Slinkys (10-46), tuned, set up; and put through its paces. I first tried it unplugged, and was surprised by the lively acoustic tone. I'd observed similar tones playing Strats unplugged, but this was the first time I'd ever heard a solidbody LP-style sing like this. Anyway, here are three YouTube videos I uploaded in honor of this guitar:
Greco EG550B demo - Unplugged
Greco EG550B Demo - Clean
Greco EG550B demo - Overdrive
Hope you enjoy the videos, as well as the pics I've posted below. Working on this Greco EG550B has been an unforgettable experience, I tell you. There's just this unmistakable build quality you sense with vintage Japanese instruments that's missing from their modern-day counterparts. They sure don't build 'em like they used to! Take care, and do drop by again soon :)
I'll start with the electronics, then. Everything was replaced, period. Among the upgrades were Alpha A500K Long Shaft pots, K40Y-9 0.015uf and K73-16 0.022uf tone pots; plus a Neutrik/Rean NYS229 jack socket. Wiring-wise, the original pickup leads were retained, while the rest was replaced with Gavitt Vintage Stranded Core Push-back Wire and Alpha RG174 Coaxial Cable (longer runs).
Next, hardware. Let's see now. The bridge and tailpiece were replaced, as were all pickup screws and springs. I managed to find a suitable replacement neck pickup ring, and added a new Gibson PRPG-020 Les Paul Custom Pickguard. Making the Gibson pickguard fit properly was a real challenge; as there was a lot of filing and sanding involved. Last but not least, the cracked output jack plate was replaced with a shiny new StewMac Plastic Jack Plate for Gibson® Les Paul® (the real deal, folks).
After the fretboard and frets were reconditioned, this Greco EG550B was strung with Ernie Ball Super Slinkys (10-46), tuned, set up; and put through its paces. I first tried it unplugged, and was surprised by the lively acoustic tone. I'd observed similar tones playing Strats unplugged, but this was the first time I'd ever heard a solidbody LP-style sing like this. Anyway, here are three YouTube videos I uploaded in honor of this guitar:
Greco EG550B demo - Unplugged
Greco EG550B Demo - Clean
Greco EG550B demo - Overdrive
Hope you enjoy the videos, as well as the pics I've posted below. Working on this Greco EG550B has been an unforgettable experience, I tell you. There's just this unmistakable build quality you sense with vintage Japanese instruments that's missing from their modern-day counterparts. They sure don't build 'em like they used to! Take care, and do drop by again soon :)
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