Showing posts with label tuneomatic. Show all posts
Showing posts with label tuneomatic. Show all posts

Monday, January 04, 2021

Gibson Les Paul Studio 2015: Part Three

Related Posts 
Part One | Part Two | Part Three

This is the third and final instalment of a three-part series on a Manhattan Midnight Gibson Les Paul Studio 2015. For detailed specs on this guitar, kindly visit the Gibson Legacy Archive.

As this post features pics of the guitar after servicing, cleaning, and a full setup; we'll take a brief look at some of its outstanding features. Most striking is the gorgeous B Grade Maple top stained in what Gibson terms "Manhattan Midnight;" and finished in lacquer. I particularly love the way the dark blue stain accentuates the "tiger stripes" of the maple top.

Then, there's the attractive silkscreened gold "Les Paul 100" lettering on the headstock front [apparently in the legend's own handwriting]; which celebrates "100 years of Les Paul's innovation." Less impressive is the gold ink "Gibson" logo. An inlaid logo [perhaps of golden mother-of-pearl] would have been more appropriate for an instrument of this pedigree; in my humble opinion. 

Meanwhile, on the back of the headstock, we are greeted by a beautiful hologram depicting a smiling Les Paul waving at us. The hologram also features the man's 100th birthday signature, which, according to Gibson; is "a facsimile of his actual signature taken from a pickguard autographed by Les."

Looking at the nice and dark rosewood fretboard, one's eyes are drawn to the gorgeous trapezoidal inlays; which are real mother-of-pearl [MOP]. Quite a change from your run-of-the-mill "mother of toilet seat" found on most Pauls; isn't it? 

Yet another eye-catching feature is the rather unique "golden cream" hue of the toggle switch washer and pickup rings; which provides a nice contrast to the darkish "Manhattan Midnight" tiger-striped maple top. Also oozing understated class are the satin nickel-finished Zamak [zinc / aluminum / magnesium / copper alloy] tune-o-matic bridge and stop bar tailpiece; as well as the pale aluminum strap buttons.

Sound-wise, this Gibson Les Paul Studio 2015 is capable of totally-useable humbucking and single-coil tones; both clean and overdriven. Most regrettably, I could not find the time to record a proper sound clip. However, this Guitar Center YouTube video should give you a good idea of what a Manhattan Midnight beauty sounds like. Enjoy :)





























Wednesday, May 15, 2019

Epiphone Les Paul Studio LT

Specifications
Finish: Walnut
Body: Mahogany, carved top
Neck: Mahogany
Neck Shape: 1960's SlimTaper, D profile
Neck Joint: Bolt-On; Recessed bolts with tapered heel joint
Scale Length: 24.75"
Truss Rod: 2-way Adjustable
Frets: 22 medium jumbo
Fretboard Radius: 12"
Fretboard Inlays: Pearloid "Dot"
Binding: None
Nut Width: 1-11/16"
Hardware: Nickel
Machine Heads: Premium Die-cast; 14:1 ratio
Neck Pickup: Epiphone 650R Zebra-coil Ceramic Humbucker
Bridge Pickup: Epiphone 700T Zebra-coil Ceramic Humbucker
Controls: Two Volumes, Two Tones
Pickup Selector: Epiphone all-metal 3-way Pickup Selector
Knobs: Premium Top Hats with metal inserts
Bridge: LockTone Tune-o-matic
Tailpiece: Stopbar
Case: Epiphone OHSC (optional)

Reference
Epiphone Website














Sunday, October 14, 2018

Epiphone G-400 Pro CH

According to Epiphone, the "G-400 PRO honors the original 1960s classic “SG” (Solid Guitar)." And having put this China-made axe through its paces, I must admit that Epiphone have come up with a winner. The G-400 Pro boasts a load of attractive features, as detailed below.

Finish: Cherry (CH). Also available in Ebony (EB)

Body Material:     Mahogany

Neck Material:     Mahogany

Neck Shape:     1960's SlimTaper™; D profile

Neck Joint:     Glued In

Truss Rod:     Adjustable

Scale Length:     24.75"

Fingerboard:     Pau Ferro with pearloid trapezoid inlays

Fingerboard Radius: 12"

Frets: 22; medium-jumbo

Neck Pickup:     Epiphone Alnico Classic PRO™; 4-wire

Bridge Pickup:     Epiphone Alnico Classic PRO™; 4-wire

Controls:
- Epiphone All-metal 3-way Pickup Selector
- Neck Pickup Volume with push/pull coil-tapping
- Bridge Pickup Volume with push/pull coil-tapping
- Neck Pickup Tone, Bridge Pickup Tone

Bridge: LockTone™ Tune-o-matic/Stopbar

Nut Width: 1-11/16"

Hardware: Nickel

Machine Heads: Wilkinson™ Vintage Classics; 18:1 ratio

References
Epiphone G-400 PRO


















Sunday, September 09, 2018

1997 Gibson Les Paul Custom

When this guitar arrived at my doorstep, I was thrilled beyond words. I mean, this was the very first Les Paul Custom I'd ever worked on. Out of curiosity, I took a few pics and emailed them to Gibson Customer Service. Within 24 hours (bravo GCS), they replied that the "pictures and serial number" were "consistent with a Les Paul Custom model in Ebony finish, made on the 202nd day of 1997 in Nashville, TN." So, what I had in my hands was the real deal, and not a well-made knockoff. Besides the obvious, I've managed to ascertain a number of specs, thanks to the Gibson Guitar Board.

Finish:        Ebony
Body:        Mahogany/carved maple top
Neck:        One-piece mahogany/1959 rounded LP shape
Fingerboard:    Ebony/22 frets/24.75" scale/mother-of-pearl block inlays
Nut Width:    1.6875"
Pickups:    Alnico Humbuckers: Neck - 490R/Bridge - 498T
Controls:    2 volumes/2 tones/3-way switch
Hardware:    Gold
Bridge:        Tune-o-matic/stop bar tailpiece
Binding:    "Sumptuous multiple binding" on body/neck/headstock

Work Done
Fret dressing
Hardware cleanup/polish
Electronics cleanup
Rewiring
New tone caps: Sprague "orange drop" 0.022uF