Part 2 ▶
1 Introduction
This Yamaha TRBX174 four-string bass is in the shop for servicing, a string change and setup. I've noticed a few areas of concern thus far, and will be highlighting them later. For now, however, let's peruse a number of specs sourced from the World Wide Web; and my own observations.1.1 Identification
Origin: Indonesia
Serial Number: IQY113482
Neck Pocket Stamp: October 26, 2020
1.2 Body Specs
Body Shape: TRBX
Body Material: Alder
Body Finish: Gloss Polyurethane, Black
1.3 Neck Specs
Neck Construction: Bolt-On
Neck Material: Maple, Flat Sawn
Neck Finish: Satin Polyurethane, Clear
Truss Rod Adjustment: Heel End
1.4 Fretboard Specs
Fretboard Material: Sonokeling
Scale Length: 34"
Fretboard Radius: 10"
Frets: 24, Medium
Fretboard Inlays: Pearloid Dot
Side Dots: White
1.5 Hardware Specs
Hardware Finish: Chrome
Tuners: Die-Cast, Covered
Nut Material: Urea
Nut Width: 1.57"
Bridge: Vintage-Style, Barrel Saddles
Jack Plate: Plastic, Black
Control Knobs: Plastic, Ribbed, Black
Control Cavity Cover: Plastic, Black
1.6 Electronics Specs
Pickup Configuration: P/J
Neck Pickup: Ceramic Precision-Style Split-Coil
Bridge Pickup: Ceramic Jazz-Style Single-Coil
Control Configuration: Volume/Volume/Tone
Volume and Tone Pots: Alpha, 250K
Tone Capacitor: Polyester Film, 0.047uF
Output Jack: Mono, Open Frame
2 Alder Body
Now that we've seen some specs, let's get down to the nitty-gritty. Up first is the rather dusty body. Topside, we see the truss rod access channel, pickups, bridge, control knobs, and two strap buttons. Removing the neck reveals the neck pocket, stamped with "26 Oct 2020." Now, looking real close, one can see that the body wood is indeed alder, and not basswood as I'd guessed. Flipping the body over, we see the bolt-on joint, four-screw chrome neck plate, black plastic control cavity cover, and yes, those strap buttons.
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Body - Front View |
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Truss Rod Access Channel |
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Vintage-Style Bridge |
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Neck Pocket and Truss Rod Access Channel |
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Body - Back View |
3 Maple Neck
What's next? Well, it's the back of the headstock. There's lots of interesting things going on here, and I'm not talking about the tuners. What's caught my attention, besides the "TRBX174" sticker and stamped serial number, is the black Yamaha "CE EAC" sticker. A bit of Googling reveals that "CE EAC" means this bass meets both European and Eurasian Economic Union "safety, health, and environmental standards." As for the Russian text, the first line reads "Electric Guitar," and the second; "Made in Indonesia."
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Back of Headstock |
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TRBX174 Sticker |
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Stamped Serial Number |
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Yamaha CE EAC Sticker |
Now we're looking at the back of the bolt-on maple neck itself. The wood is lightly figured, and finished in clear, if not lightly tinted, satin polyurethane. It feels nice and silky, quite unlike those predominantly sticky gloss-finished necks. One thing I've noticed about the neck is that it's actually slanted upwards in relation to the body, leading to unnecessarily high action. We'll definitely have to correct that. And as mentioned in an earlier paragraph, truss rod access is at the heel of the neck. Speaking of which, the grain pattern at this end indicates that this neck is flat sawn.
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Satin-Finished Maple Neck |
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Right Side of Bolt-On Joint |
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Left Side of Bolt-On Joint |
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Neck is Slanted Upwards |
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Neck Heel Markings |
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Truss Rod Adjustment Socket |
4 Sonokeling Fretboard
Yes, folks, I can hear the other side of the neck calling for attention. Right, the headstock face gets first dibs. Nothing fancy here, just a black satin finish, the Yamaha logo, and a chrome string retainer bar. Moving down, we have an unbound sonokeling fretboard with a well-seated white urea nut, 24 medium frets, pearloid dot inlays, and white side dots. Of particular interest are the neatly sealed fret slot ends, which contribute towards a clean and smooth-feeling fretboard edge.
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Headstock Face |
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Urea Nut - Left Side |
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Urea Nut - Right Side |
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Two-Octave Sonokeling Fretboard |
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Pearloid Dot Inlays |
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White Side Dots |
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Sealed Fret Slot Ends |
5 Electronics
Electronics-wise, there's nothing really worth writing home about, so to speak. Relatedly, I've been given the assurance that they're all in perfect working condition, so there you go. However, for the purposes of this post, the control cavity cover and output jack plate have been unscrewed to reveal the innards. And, out of a sense of duty, I've serviced the pots and jack with contact cleaner. Pot values have also been measured, and they range from 220K to 270K. Tolerances and all that, one might say.
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Control Cavity Electronics |
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Alpha 250K Neck Volume Pot |
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Alpha 250K Bridge Volume Pot |
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Alpha 250K Tone Pot |
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0.047uF Tone Capacitor |
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Output Jack and Jack Plate |
6 Hardware Issues
At this point in time, the control cavity cover and output jack plate have been reinstalled, and this might just be it as far as the electronics are concerned. Shifting focus to hardware components, it must be said that most everything is tarnished and in need of servicing. And so, it has come to pass that the only visible appointments remaining on this Yamaha TRBX174 bass are the tuner bushings and pickups, everything else having been disassembled. Now, where's that tube of Autosol?
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Hardware Disassembled for Servicing |
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Undersides of Neck Plate and Bridge |
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What's Beneath the Neck Plate |
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What's Beneath the Bridge |
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