Sunday, May 23, 2021

Fender Japan ST72 Stratocaster | Part Two


In the previous post, I highlighted the main external features of this stunning Fender Japan ST72 Stratocaster. Now, I've dismantled everything because it's going to be thoroughly serviced, cleaned and polished.

Hardware wise, everything was in good shape except for the bridge. Rust had begun to take root, especially on the stamped bent-steel saddles. It took lots of Autosol, steel wool, various lubes, and a Dremel polishing attachment to get things up to snuff. 

On to the body, then. As expected, there's no shielding, save for some aluminum foil under the pickguard where the controls are. I really like the "worm route" in the bridge pickup cavity, it's a nice vintage touch. 

Now, the electronics. This ST72 features three ceramic single-coil pickups, a Hosco VLX53 five-way lever pickup selector switch, Gotoh A250K mini-pots, 0047uF (473) tone cap; and generic output jack. I was kind of disappointed seeing mini-pots instead of full-sized ones, I must say. I mean, they could put in a Hosco switch, but not full-sized pots? Guess Fender Japan had to save a little money somehow.

The wiring had been tampered with, as I spotted splicing and heat-shrink tubing on the black and white wires to the output jack; and the totally gnarly solder connections on the output jack tabs. Well, as the volume pot was stuck, I'd have to remove a couple components; and might as well do some rewiring while I was at it. The stuck pot was turning again after some spray lube and lots of coaxing with a set of pliers; thank goodness. A spritz of contact cleaner; a few quick rotations both ways; and this pot was back in the saddle.

I replaced the spliced wires with a length of shielded coaxial cable, and added a lock washer to the output jack socket to prevent it turning by itself and coming loose. You'd be surprised at how many manufacturers try to save a few bucks by not using a proper lock washer. Instead, they'll simply add another hex nut on the inside; making it doubly-difficult to remove the jack from the jack plate for servicing. Nope, you won't find this shortcoming on Switchcraft #11 jack sockets.

Once the electronics and hardware had been serviced, this ST72 was reassembled and set up with Ernie Ball Regular Slinkys (010-046). I was secretly pleased that Shaifful requested 10s and not 9s like most players. He has found that 10s give him a much beefier tone than 9s; you see. Way to go, Shaifful! Last but not least, tonewise, this ST72 oozes a totally righteous Strat vibe; I do declare. Don't believe me? Well, give this YouTube Video a listen and tell me I'm wrong.


















4 comments:

  1. some cats say that vlx53 import switches are not good... what do say? i ask because i don't really know.

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    1. I wouldn't say that they're "not good." After all, Ibanez uses the VLX53 on lots of its high end guitars. However, if you're after a more solid feel and reliability, I would recommend an Oak Grigsby or CRL. Hope that answers your question.

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  2. Nice axe, but the body and the tremolo unit definitely come from a different instrument than the neck, pickups and electronics. It's most obvious in the neck pocket which has four screw holes instead of three. All Japanese ST72s have three bolt necks with tilt system and they also don't have bent steel saddles on the bridge, but plain, umstamped block saddles.

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  3. Thank you Soulagent79. You're very observant, and are obviously familiar with Japanese Strats. I truly appreciate your input.

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