Sunday, December 15, 2024

Kata Kata, Blues dan Kopi at Jalan Negara Kita

Event Details

Event: Kata Kata, Blues dan Kopi
Date: December 13, 2024
Venue: Jalan Negara Kita, Taman Melawati
Videography: Ayu Blues

Performers

Ito and Friends, Karen Nunis Blackstone, Julian Mokhtar, Tok Ghani, D'Selat, Nabil Nazmi Trio, Nifael Blues, and Get Joe Get





Thursday, December 12, 2024

Fender MIJ ST72-55 Overhaul | Part 6

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

Fender MIJ ST72-55 Demo by Syed Aziq


Syed Aziq demos his uncle's newly overhauled Fender MIJ ST72-55 Stratocaster
Syed Aziq is available for gigs and session work
Kindly call/SMS/WhatsApp 019-6615980





Fender MIJ ST72-55 Overhaul | Part 5

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

Truss Rod Nut and String Retainers

In this post, I thought we'd take another look at the hardware on this ST72-55, as there are certain components that I've just disassembled for servicing. We'll begin with the bullet truss rod nut, which is in fine shape, save for tarnish and lots of dust. Next up are the original string retainers. Although the "butterfly wings" will be replaced, I'll be reusing the mounting screws and plastic spacers.



Truss Rod Nut Unscrewed

Original String Retainers



Neck Plate and Strap Buttons

Moving on to the Fender Japan three-bolt neck plate, we see lots of fine scratches topside, probably caused by numerous belt buckles over the years. And, although there's considerable pitting, the chrome plating is largely intact. Flipping the plate over reveals discoloration and clouding, which is quite normal. The neck attachment screws, strap buttons, and strap button screws all display a vintage patina, thanks to years of unaddressed tarnish, but should clean up nicely. All five screw heads, meanwhile, have developed minute rust spots. A good steel wooling and polish should take care of that, though.



Fender Japan Neck Plate - Top

Fender Japan Neck Plate - Underside

Neck Attachment Screws

Strap Buttons and Mounting Screws



Tremolo Bridge

The vintage style six-screw tremolo bridge has been taken apart, literally down to the smallest screw and bolt. The bridge mounting screws, base plate, and tremolo block are all coated with dust and grime, as one would expect. One saving grace, though, is the fat brass tremolo block. It's a thing of beauty, isn't it?



Tremolo Bridge Base Plate

Bridge Mounting Screws

Brass Tremolo Block



Folks, I've run into problems with regard to unfastening the saddle height screws. The hex sockets are too rusted out to accept a hex key, so I've had to remove them by force with a pair of pincer pliers. As the threads are now damaged, these 12 screws will definitely be replaced. On a brighter note, the intonation screws and springs are in working order, as are the die-cast saddles.



Saddle Height Screws Removed With Pliers

Close-Up of Saddle Height Screws

 

Each and every component of the tremolo bridge has now been serviced, and the unusable saddle height screws replaced. We can now proceed with reassembly and reinstallation. Over in the tremolo cavity, a third spring has been added in the middle, as Pak Long wants the bridge plate decked when the tremolo is not in use.



Tremolo Bridge Reassembled

Tremolo Bridge Reinstalled

Third Tremolo Spring Added



Brass Nut

The brass nut, as is, looks rather dull due to prolonged exposure to the elements, compounded by abject neglect. This is not really a problem, as a little steel wooling and Autosol will spruce it up in no time at all. What concerns me is the depth of the nut slots, as all the strings are "buried" way too deep. For example, with the ST72-55 strung to pitch, one cannot even see the tops of the E, A and D wound strings. And so, to set things right, I've decided to file material off the top of the nut, thereby reducing the depth of the nut slots. 



Filing the Top of the Brass Nut

Nut Slots Are Now Much Shallower



Final Setup and Mini Photo Shoot

All components have been reinstalled, and this ST72-55 strung with D'Addario EXL120s. I've also had to raise the brass nut a tad with a Sen [Japanese Ash] shim to accommodate the height of the new Dunlop #6000 frets. Refretting the neck has not only allowed me to reduce neck relief to the minimum, but also set string height at the 12th fret to 2/32" for both E strings; without buzzing. Under-string radius has also been set to 7.25" to match that of the fretboard.

Here's Pak Long's Fender MIJ ST72-55 after the overhaul, primed and ready to get back in the ring. Now you've seen what the overhauled Strat looks like, would you like to listen to it? You do? Well, folks, you're in luck. Up-and-coming fretmeister Syed Aziq, who happens to be Pak Long's nephew, has put the guitar through its paces and recorded a video for posterity. Do check out the video in Part 6 of this write-up.



ST72-55 Photo Shoot - Image 1

ST72-55 Photo Shoot - Image 2

ST72-55 Photo Shoot - Image 3

ST72-55 Photo Shoot - Image 4

ST72-55 Photo Shoot - Image 5

ST72-55 Photo Shoot - Image 6

ST72-55 Photo Shoot - Image 7

ST72-55 Photo Shoot - Image 8

ST72-55 Photo Shoot - Image 9

ST72-55 Photo Shoot - Image 10

ST72-55 Photo Shoot - Image 11


Fender MIJ ST72-55 Overhaul | Part 4

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

Evaluating the Electronics

Electronics-wise, there's certainly something not quite right with this ST72-55. I did put the guitar through its paces prior to disassembling it, and noticed that in all switch positions and even with the volume and tone knobs full on, the output was lifeless and muffled. In short, this ST72-55 does not sound anything like a typical SSS Fender Stratocaster.

With the volume and tone knobs popped off, it's evident that at least one of the pots has been replaced. All three pots feature split knurled shafts, but that's where the similarity ends. While the volume pot has 18 splines, Tone Pot 1 [neck] and Tone Pot 2 [middle] have 24 splines.   



A Mix of Gotoh and CTS Pots

 

Upon unscrewing the pickguard, it's quite obvious that the electronics in this ST72-55 have been "modified" to a fair extent, for want of a better term. It's nice to see that a previous owner has taken the trouble to install aluminum foil shielding in the body cavities as well as on the back of the pickguard.



Aluminum Foil Pickguard Shielding

Aluminum Foil Pickup Cavity Shielding

Aluminum Foil Control Cavity Shielding



The most obvious non-original components are the large tone capacitor and CTS pots, most probably someone's idea of an "upgrade." While the electronics are generally badly tarnished and in dire need of servicing, the PCB-based five-way pickup selector switch has it the worst, with rust clearly visible on the blade and metal housing. Considering all this, as well as the substandard soldering and gnarly wiring; it's no wonder that this Strat sounds anything like one.



A Trio of Ceramic Single-Coils

Closer View of the Electronics

Rusty Pickup Selector Switch

Switch Lugs and Wiring

Gotoh B500K Volume Pot

Gnarly Volume Pot Wiring

Tone Pots and Capacitor

Tone Pot 1/Neck - CTS 250K

Tone Pot 2/Middle - CTS 250K

MIJ Output Jack and Wiring



Replacement Parts

As one might expect, Pak Long is not all all happy with the current state of his guitar's electronics. At least, however, he now knows why his ST72-55 has sounded peculiar all these years. I'm pleased to say that he's approved my proposal to replace and upgrade a number of components. These upgrades include a Switchcraft #11 output jack, a Mallory 150M 0.022uF capacitor, a Gotoh DM-50 five-way selector switch, Alpha A250K pots, pickup height screws and tubing, stainless steel pickguard screws, and also a full rewire with Vintage Push-Back Wire.



Switchcraft #11 Output Jack

Mallory 150M 0.022uF Capacitor

Gotoh DM-50 Five-Way Selector Switch

Alpha A250K Pots

Vintage Push-Back Wire

Pickup Height Screws and Tubing

Stainless Steel Pickguard Screws



Volume and Tone Knob Problem

The inner splines of the current volume and tone knobs are virtually non-existent. It's almost as if someone had deliberately scraped them off, and then forced the knobs onto the Gotoh and CTS pot shafts. If this be the case, do lend me your ears for a minute. Folks, I do not condone this "DIY shortcut" at all. Scraping off the inner splines alters the knobs permanently, for one. And as for forcing the knobs on, the pressure exerted might very well damage the pot wiper and resistive track; and you'll end up having to replace the pot in question.



Current Knobs - Damaged Inner Splines



I've tried fitting these knobs onto brand new CTS and Alpha pots, but to no avail. At best, I've been able to push them halfway down the shaft, but no further. And, in case it crossed your mind, forcing them on is never an option. The good news is that I tried a set of unused 18-spline knobs, and they fit nicely on the Alpha A250Ks. So you see, it's worth the extra effort buying the right set of knobs for your pots.



Will Not Fit a CTS Pot

Will Not Fit an Alpha Pot

18-Spline Replacement Knobs

Fits an Alpha A250K Pot Perfectly



Pickup Issues

I do admit, the three single-coil pickups are cruddy and the plastic covers need to be given a good scrub with soap and water, as my late Mama would say. And they will, believe me. However, what really troubles me are the exposed coils and brittle black and white pickup leads. Besides being cut a wee bit short, they could snap off at any point without warning. There's also the issue of dull solder joints for the hot and ground leads. These might actually be cold, and one day totally fail.



Middle Pickup - Brittle Leads

Dull Solder Joints



What are we going to do, then? Well, for starters, let's wrap those exposed coils in pickup coil tape. This should keep them safe and sound for a long time yet. We'll also desolder those brittle plastic-coated leads and replace them with Vintage Push-Back Wire leads. And while we're at it, let's use yellow for the middle pickup hot lead, just to differentiate it from the neck and bridge. Sounds like a plan!



Covers Taken Off - Exposed Coils

Coils Wrapped in Pickup Coil Tape

Black and White Leads Desoldered

Vintage Push-Back Wire Leads Installed



Wiring in the Pickups and Replacement Electronics

With the pickups sporting brand new leads, let's now install them into the pickguard, and wire them to the replacement switch and pots. Do take note that Tone 1 is connected to the neck pickup, and Tone 2 to the bridge, leaving the middle pickup "wide open." 



Pickup Height Screws and Tubing Installed

Pickups Installed

Pots and Switch Installed

Pickups and Electronics Wired In

Closer View of the Pots and Switch

ST72-55 Upgrade Wiring Diagram. ©2024 CA Guitar Repair.



Following this, we'll solder the leads to the output jack and tremolo claw; completing the circuit. The final step will be reattaching the pickguard with those brand new stainless steel screws, and checking to see if everything works.



Output Jack Wired In

Tremolo Claw Ground Soldered On

Electronics Upgrade Completed