Saturday, September 21, 2013

OLP Tony Levin Signature 5 String Bass


Specifications
Manufacturer: Officially Licensed Product (OLP)
Country of Origin: China
Serial Number: F05111148
Colour: Natural
Finish: Gloss Lacquer
Construction: Bolt On
Scale Length: 34" (864mm)
Nut Width: 1.81" (46mm)
Fingerboard: Maple / Black Dot Fret Markers
Fingerboard Radius: 16"
Hardware: Chrome
Frets: 22
Body: Basswood / Quilted Maple Top
Neck: Maple
Bridge: Generic
Pickups: Single Exposed Polepiece Humbucker
Tuners: Generic Chrome, Open Back (4+1)
Controls: Master Volume, Bass Boost/Cut, Mid Boost/Cut, Treble Boost/Cut
Onboard Preamp: G&B Co. 3 Band EQ

References
Guitar Buyer (March 2006, pp. 56 – 60)
Bass Guitar Magazine (March/April 2006, pp. 50 – 51)

Pics Section
OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Rear View of Basswood Body

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Battery Compartment

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Bridge

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Controls Layout

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Electronics

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Front View

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Rear View

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Headstock Back

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Headstock Front

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Neck Plate

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Neck Pocket

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Stock Wiring Scheme

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Output Jack


OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Underside of Pickup

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Single Humbucker

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - G&B Co. 3 Band Preamp

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Quilted Maple Top

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Shielding Paint

OLP Tony Levin Signature 5 String Bass Quilted Maple Natural - Spoke Wheel Truss Rod Adjuster



Tuesday, September 17, 2013

Yamaha AES620 | Part One

Part One | Part Two | Part Three


Specifications

Model: AES620 CG
Origin: Korea, February 2007
Serial Number: QNI0094R
Color: Charcoal Gray (CG)
Construction: Set Neck
Weight: 7.36 lbs.
Scale Length: 24 3/4" (628mm)
Nut Width: 1 11/16"
Fretboard: Rosewood / Abalone Dot Inlays
Fretboard Radius: 13 3/4" (350mm)
Hardware: Chrome
Frets: 22
Body: Nato
Top: Bookmatched Flamed Maple Veneer
Neck: Nato / C Profile
Bridge: Yamaha AES ("Tune-O-Matic" Style)
Tailpiece: Individual String Anchors (6)   
Pickups: Yamaha Alnico 5 Humbucker (Neck) / Seymour Duncan JB (Bridge)
Tuners: Grover
Pickup Switch: Three-Position Toggle
Controls: Neck PU Volume / Bridge PU Volume / Master Tone 

Noteworthy Features

Single Beveled Cutaway
Contoured Top / Back
Through-Body Stringing
Recessed Control Knobs
Recessed / Angled Output Jack
Exposed Wood "Faux Binding"
Two Rear Strap Buttons
Aluminum Foil Shielding - Toggle Switch / Control Cavity Covers
Carbon Paint Shielding in Control Cavity

Links

Yamaha Guitar Serial Numbers – Dating Your Guitar
Electric and Bass Guitar Serial Number Systems - Yamaha



AES620 CG - Front View

AES620 CG - Back View

AES620 CG - Made in Korea

AES620 CG - Headstock Face

AES620 CG - Grover Tuners

Rosewood Fretboard/Abalone Dot Inlays

AES620 CG - Set Neck

AES620 CG - Contoured Top

AES620 CG - Contoured Back

AES620 CG - Single Beveled Cutaway

Exposed Wood "Faux Binding"

Upper Bout Strap Button

Two Rear Strap Buttons

Recessed/Angled Output Jack Socket

Pickups and Toggle Switch

Recessed Control Knobs. Knobs From a Boss DS-1

Yamaha AES TOM-Style Bridge

Tailpiece - Six Individual String Anchors

String Ferrules and Tailpiece Securing Bolts

Control Cavity Components and Wiring

Three-Way Toggle Switch Wiring

AES620 Stock Wiring Diagram

Aluminum Foil Shielding

Izzat Jalil, Auditorium RTM Kuantan. May 24, 2011.


Part One | Part Two | Part Three

Thursday, August 29, 2013

2002 Fender Standard Stratocaster | Part 2

Part 1 | Part 2 | Part 3 | Part 4

Restoration Work

Howdy folks! I'm happy to report that the 2002 Sunburst Fender Standard Stratocaster sent in a few weeks ago is now back in playing condition. Here's a rundown of the repair and restoration work carried out.

Neck
After removing the old frets with a soldering iron and flush-ground end nippers, the fingerboard was lightly sanded and then cleaned with naphtha (Zippo lighter fluid). No finish was applied as per the owner's request. A full refret was then carried out using a set of Dunlop Accu-Fret 6110 Jumbo Fret Wire. A new nut was also installed. The wood in and around numerous fret slots (especially the first) and areas on both fingerboard edges was badly decayed and crumbly. This problem was fixed with a mixture of wood dust and super glue, followed by scraping, sanding and polishing.






Circuitry

The guitar was completely rewired, and a handmade aluminum pickguard shield plate installed.




The neck pickup tone pot (250K), capacitor (0.022uF), and output jack were replaced; and a new tremolo claw ground wire run from the volume pot. The bridge pu was also out-of-phase with the middle pu, producing a hollow and tinny sound in switch position 4. The problem was fixed by swapping connections for the hot and ground leads of the bridge pu.


 


Cosmetics

The missing middle pickup tone knob was replaced, as was the missing back plate. Two down, one to go; ie fixing the damaged poly finish on the inner curves of both body horns. I started off by supergluing the edges of the cracked finish to the exposed wood underneath. This was to flatten the edges and prevent further lifting. Following this, cracks and exposed areas were filled with Devcon Plastic Steel Epoxy. After six hours, the epoxy was hard enough to be filed, scraped and sanded flat in relation to the existing finish. These areas were then sprayed with three coats of black, followed by four coats of clear, left to dry, and then polished thoroughly to remove any overspray and blend the repair job into the existing finish.






Bridge 
Besides being badly tarnished and rusted in places, numerous bridge saddle height adjustment hex screws were frozen and had to be removed by force through a combination of heat and chemicals. Now, suitable replacements had to be found for these damaged screws. Luckily for me, I had a few old humbucker height adjustment screws lying around that fitted perfectly. After sawing off suitable lengths, I filed the ends flat and slotted one end with a hacksaw. Thus said, anyone intending to adjust saddle height on this guitar in the future should have both a hex wrench and a tiny flathead screwdriver on hand.





Finishing Touches 
A set of 009 - 042 strings were installed, and the appropriate truss rod / action / intonation adjustments were made for optimum playability. The grimy body was also cleaned with naphtha and then waxed and polished painstakingly by hand. All hardware was also degrimed, brushed free of rust, and finally polished with Autosol. Though it's taken lots of blood, sweat and tears to get this Strat back into shape, the results are well worth it.







Part 1 | Part 2 | Part 3 | Part 4